Goody Two-Shoes by McLoughlin Brothers
Author:McLoughlin Brothers [Brothers, McLoughlin]
Language: eng
Format: epub, mobi
Tags: Brothers and Sisters, Orphans, Conduct of life, Education
Publisher: New-York : McLoughlin Bro's
Published: 0101-01-01T00:00:00+00:00
Sir Charles and Lady Jones lived very happily together, and the great lady did not forget the children, but was just as good to them as she had always been. She was also kind and good to the poor, and the sick, and a friend to all who were in distress. Her life was a great blessing, and her death the greatest calamity that ever took place in the neighborhood where she lived, and was known as GOODY TWO SHOES.
As at 12:08 pm, Thursday, 23 October 2014.
http://www.americanantiquarian.org/cl/mbhistory.htm#Endnote3
The below—direct quote—is given for the reader of this ebook as a backup to the above website link.
“Brief History of the McLoughlin Bros.
Prepared by Laura Wasowicz,
American Antiquarian Society
McLoughlin Bros., Inc. was a New York publishing firm that pioneered the systematic use of color printing technologies in children’s books, particularly between 1858 and 1920. The firm’s publications served to popularize illustrators including Thomas Nast, William Momberger, Justin H. Howard, Palmer Cox, and Ida Waugh. The artistic and commercial roots of the McLoughlin firm were first developed by John McLoughlin, Jr. (1827-1905), who as a teenager learned wood engraving and printing while working for Elton & Co.--a New York firm formed by his father John McLoughlin, Sr. and engraver/printer Robert H. Elton. Elton & Co. (active 1840-1851) printed and issued toy books, comic almanacs, and valentines. Between 1850 and 1851, John McLoughlin, Sr. and Robert H. Elton retired--giving John Jr. control of the business. (1) He started to publish picture books under his own name, and soon acquired the printing blocks of Edward Dunigan, a New York picture book publisher for whom Robert Elton had executed many wood engravings.
According to John McLoughlin, Jr.’s obituary in Publishers' Weekly (May 6, 1905), he made his younger brother Edmund McLoughlin (1833 or 4-1889) a partner in 1855. However, the firm was not listed in New York city directories as McLoughlin Bros. until 1858. During the early years of this partnership, the product line expanded to include non-book toys including games, blocks, and paper dolls.
By 1863, the firm had expanded from its original headquarters at 24 Beekman St. to include 30 Beekman St. John McLoughlin, Jr. continually experimented with color illustration--progressing from hand stenciling, to the mechanical relief process of zinc etching, to the planographic process of chromolithography. In light of the firm’s commercial and creative development, McLoughlin Bros. moved to 52 Greene St. in May 1870, and subsequently moved the main New York office to 71 Duane St. in February 1871. (2) In this same year, the McLoughlin firm opened a color printing factory at South 11th and Berry St. in Brooklyn. This factory employed as many as 75 artists, and is the probable site of the firm’s experimentation with color reproduction techniques. By the 1880s, McLoughlin books were regularly featuring titles in folio formats, illustrated by chromolithographs. A number of titles were probably "pirate" editions of picture books issued in England by firms like George Routledge & Sons.
After Edmund McLoughlin’s retirement in 1885, the firm’s New York office
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